Manifestos
Today, _______________ itself is obsolete. In documenting art
on the basis of _______________: we are human and true
for the sake of _______________, _______________, and
_______________. At the crossroads of the lights, alert,
_______________ attentively awaiting.
If you find it futile and don't want to waste your time on a
_______________ that means nothing, consider that here we
cast _______________ on fertile ground. Here we have a right
to do some prospecting, for we have _______________.
We are ghosts drunk on energy, we dig into _______________.
We are a _______________ as tropically abundant as
_______________, which is the art of making
_______________established as _______________ on a
canvas before our eyes,yet today the striving for
_______________ in a work of art seems _______________
to art. Art is a _______________ concept, exalted as
_______________, inexplicable as life, indefinable and
_______________. The work of art comes into being through
the _______________of the elements.
The medium is as _______________ as the artist. Essential only
is the forming, and because the medium is _______________,
any _______________whatsoever will _______________.
_______________ is the name for such art.
_______________ stands for freedom. _______________
changes meaning with the change in the insight of those who view
it. Every artist must be allowed to mold a picture out of
_______________. The _______________ of natural
elements is _______________ to a work of art. Instead, it is the
artist who _______________ to produce _______________,
in order to make a better art.
________
∗ Written in 1996.
Check out Michael Betancourt's blog, Cinegraphic.net
